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The Watch

May 30, 2023 What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.

True/False 2023

The Daily

Mar 2, 2023 This year’s lineup blends world premieres with fresh arrivals from Berlin and Sundance.

Two Midnighters

The Daily

Jan 26, 2023 With confident verve, Brandon Cronenberg’s Infinity Pool and Laura Moss’s birth/rebirth defy horror fans’ expectations.

Oct 11, 2022 Frank Capra’s flamboyant farce—his only black comedy—finds an uncharacteristically frenetic Cary Grant surrounded by a clan of genteel maniacs.

Jul 19, 2022 Centered on a grieving theater director and his driver, Ryusuke Hamaguchi’s Oscar-winning drama is a quiet meditation on the mysteries of communication, the flexibility of truth, and the search for honesty.

Jul 15, 2022 In her last significant film role, the art-house icon reveals an emotional vulnerability previously hidden by her ethereal persona.

May 13, 2022 The director of We’re All Going to the World’s Fair reflects on the transformative power of a Sonic Youth needle drop in Olivier Assayas’s 1996 film.

Apr 21, 2022 Critics recommend favorites from this year’s selection of twenty-six features and eleven shorts.

Mar 8, 2022 A parable of wayward women in a world without mothers, Márta Mészáros’s 1975 feature catapulted the Hungarian auteur to international prominence.

Feb 24, 2022 More than seventy films, including work from Sergei Parajanov, Ana Vaz, Ben Rivers, and Daïchi Saïto, are freely available worldwide.

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