The Criterion Collection
Visual Analysis
Nov 17, 2019 — Under the Influence As an aspiring filmmaker in the early nineties, Ira Sachs first sat down to watch Chantal Akerman’s 1975 feature debut, Je tu il elle, about an adrift young woman (played by the director herself) grasping for human connection. At the...
The Daily
Nov 15, 2019 — This week’s highlights take us from post-apocalyptic cityscapes to the deepest jungles of Southeast Asia, from the sound stages of Hollywood to the coal mines of West Virginia.
The Daily
Nov 14, 2019 — Curators Richard Peña and Livia Bloom Ingram bring nine “under the radar” titles by independent American filmmakers to the Cinémathèque française.
The Daily
Nov 11, 2019 — This month we’re reading about the women (and men) of Hollywood, weighing arguments from all corners, and picking up an overlooked novel.
The Daily
Nov 1, 2019 — Jonathan Glazer and Michael Mann return, Parasite fever burns on, and Paul Harrill rolls out his acclaimed second feature.
The Daily
Oct 30, 2019 — The frontrunners for this year’s British Independent Film Awards include The Personal History of David Copperfield and The Souvenir.
The Daily
Oct 24, 2019 — A retrospective in Vienna focuses on the guerrilla heroes of partisan cinema.
The Daily
Oct 21, 2019 — Newly renovated and expanded, New York’s Museum of Modern Art integrates the story of cinema into its history of modernism.
The Daily
Oct 18, 2019 — Maurice Pialat, Jean-Michel Basquiat, Béla Tarr, Robert Eggers, and Disney’s most notorious feature make for a rough and tumble week.
On the Channel
Oct 18, 2019 — Art-House America Like a number of theaters featured in our Criterion Channel series Art-House America, the Loft Cinema once faced the threat of its doors closing permanently. Born in 1972, and originally based in a small space near the University of Arizona, this...