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The little man

May 16, 2025 There’s a lot going on besides Cannes: Kira Muratova, Glauber Rocha, Mikio Naruse . . .

August Books

The Daily

Aug 17, 2020 Louise Brooks, Oliver Stone, James Stewart, Andy Warhol, and more are here to help relieve this year’s summer doldrums.

Sep 19, 2016 If you consider noir as a global phenomenon, then films like Julien Duvivier’s Pépé le moko (1937), Jean Renoir’s La bête humaine (1938), and Carné’s Port of Shadows (1938) may be the first full harvest of this bitter crop.

Mar 11, 2016 Valley of Love (2015), dir. Guillaume Nicloux “Filmmaking is a collective assemblage of desires,” said Isabelle Huppert when we sat down to talk on a recent morning. We were speaking about how she picks her roles, and how her own intuition...

Magic Carpet Ride

Tech Corner

Jan 23, 2008 Of all the great places I get to go for transfer work, London is probably my favorite. First off, everyone speaks English, and there’s an abundance of great Indian food. But there’s also the excitement that when the workday ends,...

Apr 5, 2019 Two-Lane Blacktop A longtime Criterion contributor, Kent Jones has written for us on everything from the glories of studio filmmaking to the most daring and cerebral of art-house auteurs. But regardless of the subject he’s set his sights on, he’s...

Aug 24, 2011 NOTE: The following essay contains spoilers. Not long into Lee Chang-dong’s Secret Sunshine (2007), a melodrama about suffering, salvation, and the dangerously blurred line between belief and madness, the heroine encounters the first of several challenges to her way of...

Aug 21, 2012 Andrew Haigh’s boy-meets-boy story reminds us that the biggest pleasures of falling in love come from the little moments of connection.

Jan 29, 2020 It is almost impossible to discuss Sidney Lumet’s Cold War thriller Fail Safe without also considering its more financially successful cinematic foil and fellow 1964 Columbia Pictures release, Stanley Kubrick’s Cold War satire Dr. Strangelove, or: How I Learned to...

Apr 1, 2024 The show may be “resolutely low-risk” overall, but for many, the standouts are film and video works.

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