The Criterion Collection
Features
Sep 1, 2020 — It’s not impossible to be a lazy, shrug-it-off filmmaker, just as it isn’t to be a lazy painter or novelist, or, more to the point, a lazy comic artist, drawing each picture merely once and then moving on. (You could...
Interviews
Jun 18, 2020 — When Jamie Babbit’s But I’m a Cheerleader made its theatrical premiere in July 2000, it was entering a queer political landscape vastly different from the one we live in today. Over the last two decades, we’ve witnessed the rise of LGBTQ...
Essays
Oct 24, 2019 — With deafening footfalls and an earsplitting roar, Gojira, known in the West as Godzilla, first thundered into Japan’s movie houses on November 3, 1954. Six and a half decades later, the monster presides over an international entertainment franchise, having starred...
May 18, 2018 — Improvising to Jim Jarmusch’s film in real time, Neil Young created a rich parallel environment that sounds like a force of nature.
Apr 17, 2017 — Artist and writer Dash Shaw chats with us about first discovering René Laloux’s 1973 sci-fi masterpiece and its lasting influence on his own illustration style.
Essays
Dec 11, 2013 — This political drama was made in Mexico at a revolutionary moment and represents an extraordinary confluence of international talent.
Essays
Nov 23, 2008 — Wes Anderson made a film without a trace of cynicism, one that obviously grew out of his affection for his characters in particular and for people in general.
Jan 12, 2007 — Ijust got back from an around-the-world trip to Minnesota, India, and Paris, and I did it all in about seven days. I’m not proud to admit that all of that traveling was actually done from the shabby couch in my...
Jan 31, 2005 — Like the movie’s rattletrap trucks lurching down the highway as they carry way-too-heavy loads, the characters in Jules Dassin’s brilliantly volatile Thieves’ Highway struggle under psychological and moral baggage until they can lay their burdens down. Working from a novel...