The Interview

Dec 10, 2013 — Djibril Diop Mambety’s Senegalese masterwork is remarkable for both its technical audacity and its postcolonialist expressionism.

Dec 6, 2013 — Ennio Morricone is known the world over for his instantly identifiable scores in such films as The Good, the Bad, and the Ugly; Once upon a Time in the West; and The Mission. He has composed hundreds of others, however,...

Jan 8, 2013 — The two movies that opened the door to “youth culture” in Hollywood, The Graduate and Easy Rider, were milestones, to be sure. But can it really be said that they were milestones in the art of cinema? “I think The...

Nov 15, 2011 — You make films to give people something, to transport them somewhere else, and it doesn’t matter if you transport them to a world of intuition or a world of the intellect.Krzysztof Kieślowski said that he did not care about cinema,...

Oct 25, 2011 — It’s not a movie about how things were; it’s a movie about how things are remembered.

Aug 31, 2011 — City symphony or spa burlesque? Polemic or caprice? From the outset, even in his manifesto lecture “Towards a Social Cinema,” delivered to the Groupement des Spectateurs d’Avant-Garde at Paris’s Le Vieux-Colombier before what was only the second public screening of À propos...

Feb 2, 2011 — These tributes first appeared in the winter 2010 issue of Brick, a literary journal based in Toronto. They are posted here by permission of the authors. The photographs appear courtesy of Colleen Murphy.   Colleen Murphy After we decided to...

May 22, 2006 — Barbara Kopple’s detailed analysis of a Kentucky mine workers’ strike is a virtual hub of urgent themes, formal tendencies, political debates, and material practices that define post-sixties documentary in America.

Sep 29, 2003 — In May 1981, in the midst of shooting Lola, Rainer Werner Fassbinder sketched out his next film project: Sybille Schmitz. On the cover, he had written, “Story for a Feature Film*.” The asterisk pointed to this footnote: “It is possible...

Mar 10, 2003 — Vilgot Sjöman’s cultural-sexual sensation sparked much critical and popular mayhem, only to be consigned to nearly instantaneous oblivion.