His

Oct 7, 2022 — This underappreciated 1968 film is a feast of dark delights, filled with vengeful ghosts, psychically linked identical twins, obsessed mad scientists, creepy priests, and seemingly sentient skeletons.

Oct 6, 2022 — Once again, the New York Film Festival presents not one but two new films by Hong Sangsoo.

Oct 5, 2022 — Highlights include new work from Chinonye Chukwu, Lars von Trier, Elegance Bratton, and Jerzy Skolimowski.

Oct 3, 2022 — The new feature from the makers of Leviathan explores the inner workings and landscapes of the human body.

Sep 30, 2022 — We’re reading interviews with Garret Bradley and Don Hertzfeldt and a marvelous account of the making of Nosferatu the Vampyre (1979).

Sep 29, 2022 — An erotically charged “musical fantasia” opens the NYFF’s Currents program.

Sep 29, 2022 — This October, we’re summoning our demons with an expansive collection of ’80s horror and a roundup of Universal monster movies.

Sep 28, 2022 — Cameroonian director Dikongué-Pipa’s debut feature is both a manifesto on cinema’s capacity to bring about social change and a celebration of love and its possibilities.

Sep 28, 2022 — A high point of early Argentine cinema, Mario Soffici’s 1939 film about the plight of plantation workers is an unflinching examination of exploitation and violence.

Sep 28, 2022 — Sarah Maldoror’s only completed narrative feature tracks the Angolan struggle for independence from Portugal and reckons with the interlocking systems of colonialism, capitalism, and patriarchy.