The Criterion Collection
The acclaimed actor shares his deep connection to Onibaba, praises Isabelle Huppert and her performance in The Piano Teacher, recalls Gate of Flesh’s influence on the Wooster Group, and selects a few of his collaborations with Wes Anderson and Martin...
The award-winning actor and producer discusses his work in such Mexican-cinema classics as Y tu mamá también and Amores perros, shares his love for the mysterious pleasures of Blow-Up and Purple Noon, and praises the brilliance of Luis Buñuel and...
The writer and director of Godland—Iceland’s 2023 Oscar submission—shares his love for Ana Torrent’s performances in Cría cuervos and The Spirit of the Beehive, talks about the physicality of Naked and the fear and inspiration in L’humanité, and praises the...
The writing and directing partners behind the new show A Murder at the End of the World talk about the influence of Alan J. Pakula, share their deep connection to The Double Life of Véronique and After Life, and praise...
The philosopher names Trouble in Paradise “Ernst Lubitsch’s ultimate masterpiece,” praises Peter Weir’s early films, and calls the final scene of City Lights “the most sublime ending.”
The Palme d’Or–winning director praises Catherine Breillat’s cinematic exploration of sexuality, talks about Gena Rowlands and John Cassavetes’s collaborations, and shares a story from the set of one of his films.
The subjects of Crystal Moselle’s award-winning 2015 documentary show off their voracious appetite for cinema, saluting films by everyone from Stan Brakhage to Jean Renoir to Alex Cox to Wes Anderson.
The director of The Right Stuff and The Unbearable Lightness of Being selects a group of films that he hopes will inspire him in his own work, including Amarcord, The Wages of Fear, Fanny and Alexander, and The Battle of...
The Oscar-winning costume designer recalls a memorable screening of Down by Law in Rome and explains what makes the Italian classics Bicycle Thieves and The Leopard so revelatory.
The director of Something Wild reminisces about his encounters with John Cassavetes, Jean Renoir, and David Lean.