The Criterion Collection
The director of She Came to Me and Personal Velocity talks about the most disturbing films she has ever seen, the sad humor of Miloš Forman, and the poetic-realist masterpiece that might be her favorite movie of all time.
The prolific German actor recalls the time he met Paul Morrissey on a plane, the festival encounter that led to his first film shot in the United States, and his experience working with Lars von Trier.
The front man of the band Neon Indian—who just released his debut solo album, World of Hassle—praises the “completely demented” Maîtresse, discusses the representation of Texas in True Stories, and gives us his best Peter Falk impression.
The pioneering video game designer throws a spotlight on treasures of 1950s and ’60s Japanese cinema, including Yasujiro Ozu’s Tokyo Twilight and Nobuo Nakagawa’s Jigoku.
The actor and comedian gravitates to 1940s film noir, the “weirdly timely” shock comedy of John Waters, and movies with memorable soundtracks.
The director of Oldboy and Decision to Leave talks about the influence of Ingmar Bergman, his complicated feelings about The Makioka Sisters, the way Mike Leigh works with actors, and his admiration for Don Siegel’s films.
The acclaimed photographer and music video director, whose film work includes Control and Squaring the Circle (The Story of Hipgnosis), highlights favorite movies by Wim Wenders, Martin Scorsese, and Paweł Pawlikowski.
During a trip to what he calls our “city of movies,” the director of Afire talked about the jazzy qualities of Steven Soderbergh’s films, the inspiration he has taken from Preston Sturges, and an overpoweringly erotic moment in Stromboli.
The director of American Psycho and I Shot Andy Warhol shares her love of B movies of the 1940s and ’50s, the metal soundtrack of Lost Highway, and the rapid-fire pacing of ’30s comedy.
The Oscar-winning cinematographer Roger Deakins and his collaborator James Deakins—who discuss filmmaking on their podcast, Team Deakins—share stories about the heyday of punk, childhood memories of watching The Seventh Seal, and commentary about one of the most stunning black-and-white films...