The Criterion Collection
Short Takes
Apr 20, 2010 — Ingmar Bergman’s intense, character-based chamber drama Through a Glass Darkly has always seemed like it would make for a great, intimate theater piece. Apparently, Australian playwright Andrew Upton (husband of Cate Blanchett) agrees; he has scripted an adaptation of Bergman’s film...
Essays
Nov 22, 2009 — “The most concrete emblem of every economic cycle is the dump,” writes Naples native and best-selling Italian muckraker Roberto Saviano somewhere near the conclusion of his extraordinary 2006 “nonfiction novel” Gomorrah, a seethingly cogent and literarily constructed indictment of the...
Oct 19, 2009 — Though known primarily for her wildly varied, continent-hopping features (Salaam Bombay!, Mississippi Masala, Vanity Fair, The Namesake), Indian director Mira Nair has for the past three decades also been forging a parallel career of short filmmaking. Both fiction (Migration, How...
May 20, 2009 — Early in Shohei Imamura’s Intentions of Murder, the librarian Riichi distractedly peruses Herbert Marcuse’s Eros and Civilization while conversing with his clinging mistress, Yoshiko. One can read the reference in many ways: as a glancing jest, as an (uncharacteristic) Imamurian...
May 5, 2009 — French filmmaker Julien Duvivier is undoubtedly best known for the 1937 classic Pépé le Moko, starring Jean Gabin. But many film lovers today have seen little else by this poetic realist pioneer, a victim, Michael Atkinson writes in an insightful...
Apr 21, 2009 — Mark your calendars: Janus Films and the Criterion Collection’s theatrical release Revanche opens next Friday, May 1, in New York, Seattle, and Boston, and the early press is awesome. Götz Spielmann got a rave for his tense, thrilling drama from...
Jun 16, 2008 — Claude Sautet occupies a unique place in French cinema. Although he directed some of the biggest hits of the seventies and worked with some of the biggest stars, few critics considered him an “auteur” in his lifetime. Paradoxically, it was...
Aug 17, 2003 — Iwrote my first drama when I was seventeen. I showed it to Ingmar Bergman who then was twenty-four. Later on in life I started to write screenplays and needed to know how a director works. So I put a question...
May 26, 2003 — Transcription of a speech given by long-time Derek Jarman collaborator and friend, actress Tilda Swinton