The Criterion Collection
Apr 20, 2015 — "Afilm about India without elephants and tiger hunts”—this was how Jean Renoir described his objective in making The River. Guided by Rumer Godden’s autobiographical novel, he rejected the India of exotic action and spectacle to make a meditative, almost mystical...
Features
Mar 25, 2015 — Long unheralded and at last rediscovered, actor-director Robert Montgomery’s Ride the Pink Horse is one of the key Hollywood features of 1947, the year film noir flooded the screen like a ruptured reservoir of India ink. Adapted from the popular...
Mar 24, 2015 — Words—they conceal and reveal so much about us, as Errol Morris’s elusive and brilliant first films attest.
Oct 27, 2014 — Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.
Oct 21, 2014 — There were plenty of advantages to living in Paris in the early 1970s, especially if one was a movie buff with time on one’s hands. The Parisian film world is relatively small, and simply being on the fringes of it...
Aug 18, 2014 — The director explains the inspiration for his provocative erotic comedy, and how he dove into it even before finishing his previous movie.
Features
Mar 26, 2014 — The author recalls his encounters with the great Swedish actress.
Feb 28, 2014 — The Great Beauty, which is up for best foreign-language film at Sunday’s Academy Awards, feels at times like a glorious throwback to a time when art-house cinema reigned. Feeling nostalgic for that era, when films by the great directors of world...
Essays
Feb 28, 2014 — Other first films exude the sparkling joy of filmmaking that one feels in Breathless, but how many can boast its sure-handedness?
Jan 28, 2014 — Terence Davies beckons the viewer into a private world of moods and sensations with this exquisite childhood reverie.