The Criterion Collection
Jul 30, 2018 — At a time when women were rarely seen behind the camera, Babette Mangolte created a bold, distinctive aesthetic with a mix of slow rhythms and hauntingly static compositions.
The Daily
Jul 30, 2018 — Retrospectives of the French master’s work are playing in New York and Berkeley, with Washington to follow in September.
The Daily
Jul 30, 2018 — Adaptations of Wuthering Heights have been a mixed bag.
Production Notes
Jul 25, 2018 — After languishing for decades in John Waters’ attic, never-before-seen footage from the set of Female Trouble has made its way onto our newly released edition of the film.
The Daily
Jul 25, 2018 — And Orson Welles’s The Other Side of the Wind will finally see the light of day.
Jul 24, 2018 — A feast of sumptuous color and cinematic imagination, Powell and Pressburger’s postwar masterpiece is also a powerful reckoning with recent history.
The Daily
Jul 23, 2018 — Bradley Cooper’s directorial debut will premiere out of competition. And Venice Critics’ Week announces its 2018 lineup.
Jul 20, 2018 — American audiences weren’t ready for Barbara Loden’s Wanda when it premiered in 1970. A stark portrait of a working-class woman (played with raw conviction by Loden herself) who breaks free of a miserable marriage, only to find herself on the...
In Theaters
Jul 19, 2018 — Repertory Picks This weekend, the Guild Cinema in Albuquerque, New Mexico, will plunge into the shadows, as the theater launches its fifteenth-annual Festival of Film Noir, a celebration spanning ten days, five double features, and countless criminal acts. The festival...
Jul 19, 2018 — Deep Dives A tough, dirty gangster picture that delivers the requisite payload of violence and bastardly behavior, Giuliano Montaldo’s Gli intoccabili (released in the U.S. as Machine Gun McCain) is also a landmark in the story of John Cassavetes and his ragtag repertory...