The Criterion Collection
The Daily
May 12, 2018 — Critics are split over this Egyptian road movie, the only debut feature in competition.
The Daily
May 10, 2018 — The followup to Mrs. Fang is an oral history of China’s “Anti-Rightist Campaign” in the late 1950s.
The Daily
May 10, 2018 — The underground scene of Leningrad in the early 80s is the real star here.
The Daily
May 10, 2018 — The director of Ida returns with the story of an intense love affair.
The Daily
May 9, 2018 — “One of the best Welles documentaries” makes the case for the director as a brilliant graphic artist.
The Daily
May 9, 2018 — The first film from Kenya in Cannes’s Official Selection has already been banned at home.
May 9, 2018 — In this followup to Embrace of the Serpent, a mob story is interwoven with Wayúu Native American rituals.
The Daily
May 9, 2018 — Cannes’s Opening Night film is met with a first round of lukewarm reviews.
Essays
May 8, 2018 — In his uncharacteristic final masterpiece, the great Hollywood melodramatist Frank Borzage approaches the shadowy violence of film noir with his unique brand of romanticism.
The Daily
May 7, 2018 — And it’s May ’68 all over again in New York, D.C., and London. Plus Bergman in L.A., Tarkovsky in San Sebastián, and more.