The Criterion Collection
Sep 10, 2020 — In this in-depth interview, the legendary photographer and filmmaker explains how a lifetime of compulsive movie-watching has influenced her artistic practice.
The Daily
Sep 4, 2020 — The festival opens with a winning oddity from Greece and an Italian time-hopping family drama.
Aug 31, 2020 — “Movies show us ourselves as we had not yet learned to recognize us—something in the nature of daily being or happening that quickly gets folded over into ancient history like yesterday’s newspaper, but in so doing a new face has...
Aug 25, 2020 — Set among immigrants and laborers in an unglamorous corner of the South of France, Toni (1935) fulfills Jean Renoir’s wish to make a film in “a style as close as possible to that of daily encounters,” as he wrote in...
The Daily
Aug 13, 2020 — The author and Tablet columnist has written a tight critical biography.
Essays
Aug 11, 2020 — The Complete Films of Agnès Varda It’s the other famous shot in The Gleaners and I (2000) of Agnès Varda’s reaching hands. Not the one she said was taught around the world as the heart of her documentary-making, where, in...
Essays
Aug 11, 2020 — The Complete Films of Agnès Varda The poster for the seventy-second Cannes Film Festival, held in May 2019, used a photograph taken during the shooting of Agnès Varda’s first film, La Pointe Courte, in 1954. Wearing rolled-up trousers, a shirt,...
Aug 3, 2020 — The British director of sprightly musicals, wrenching family dramas, and gripping political thrillers was seventy-six.
The Daily
Jul 17, 2020 — Studio Ghibli for the kids, Bergman and Pasolini for the grownups, and more highlights from the week that was.
Jul 6, 2020 — The latest short film to take the spotlight on the Criterion Channel, Marnie Ellen Hertzler’s Dirt Daughter emerged from the collaboration of a vibrant community of artists. Not only was it produced by the innovative collective the Eyeslicer, which supports...