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Oct 17, 2018 — A public-television commission intended to raise class consciousness, Eight Hours Don’t Make a Day inspired heated debates about its political orientation.

Oct 16, 2018 — Seen as a light-hearted farce upon its release, this star-studded comedy by Hal Ashby stands as one of Hollywood’s most prescient portraits of post-Watergate politics.

Oct 14, 2018 — If horror is going to be forever plagued by remakes and sequels, we could do worse than this year’s Halloween and Suspiria.

Oct 12, 2018 — Two early works by Ingmar Bergman show the Swedish master grappling with the conventions of melodrama, which would go on to influence his later explorations of spiritual torment.

Oct 11, 2018 — Did You See This? Five highlights of the past seven days:Films by Michael Mann are the subject of two not-to-be-missed pieces this week. Writing for Oscilloscope’s Musings, Bilge Ebiri argues the case for the neglected Blackhat (2015): “When video liberated...

Oct 9, 2018 — This adaptation of James Baldwin’s 1974 novel is a testament to the director’s professed influences.

Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.

Oct 8, 2018 — A vibrant movie theater in the college town of Missoula, Montana, takes the spotlight in the Criterion Channel series Art-House America.

Oct 4, 2018 — A “skeleton key” to an epic audiovisual essay by Godard and interviews with Anna Biller and Richard Linklater are among this week’s highlights.

Oct 4, 2018 — North by Northwest’s crop-duster scene—in which Cary Grant’s victim of mistaken identity finds himself in a fallow Indiana field, hunted by a low-flying biplane—is one of the most iconically thrilling moments in Alfred Hitchcock’s fiendishly clever body of work. But,...