Jun 3, 1991 — Robert Montgomery stars in the Oscar-nominated role of Joe Pendleton, a lug of a boxer accidentally spirited off to heaven before his time, while Claude Rains is the title character whose job it is to find a way for Pendleton...

The Big Chill

Essays

Mar 11, 1991 — Lawrence Kasdan’s second directorial effort is a story about the sixties generation's idealism—as well as his most personal movie.

Jour de fete

Essays

Mar 11, 1991 — The long absent comic essence of the silent era was suddenly revived in the hands of lovable and wildly antic filmmaker Jacques Tati.

Repulsion

Essays

Jan 7, 1991 — Roman Polanski’s riposte to Alfred Hitchcock’s Psycho was greeted as a brilliant, grisly potboiler that gave the thirty-two-year-old Polish filmmaker commercial entry to the West.

49th Parallel

Essays

Dec 9, 1990 — Michael Powell’s war thriller ranks alongside Hitchcock’s Foreign Correspondent as one of the two finest amalgams of suspense and propaganda to grace the big screen during the years 1939-45.

Annie Hall

Essays

Dec 3, 1990 — Over the years I have had a recurrent nightmare in which I am summoned to a large, unfamiliar building in a middle-European satellite country (Bulgaria, perhaps) to tell the idea of Annie Hall to the Bulgarian Minister of Green Lights,...

Nov 12, 1990 — For a twenty-seven-year-old director with a smattering of television experience and only one prior feature, Steven Spielberg demonstrated an awesome mastery of the film medium when his first big production hit the screen in 1975. An instant and certifiable phenomenon,...

Notorious

Essays

Feb 27, 1990 — This 1946 Alfred Hitchcock classic ingeniously combines a romantic story with espionage and intrigue in Rio de Janeiro, mysterious wine bottles, lethal cups of coffee, and an all-important small key.

Dec 18, 1989 — Billy Wilder’s comedic genius is on full display in this beloved classic starring a never-better Marilyn Monroe and Tony Curtis, who spends most of the film in drag.

Show Boat

Essays

Dec 18, 1989 — Jerome Kern and Oscar Hammerstein II’s musical was the first to present a panoramic history of America from the Mississippi levees of the 1880s to the Broadway of the 1920s.

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