The Criterion Collection
Oct 19, 2021 — The works of great artists have a way of reactivating fundamental questions about the nature and potential of an art form. In the case of filmmaker Lynne Ramsay, these questions revolve around a word that has been used routinely to...
Sep 28, 2021 — Melvin Van Peebles’s feature debut riffs on the French New Wave to tell a love story that portrays interracial intimacy and unflinchingly confronts the distortions of racism.
Essays
Sep 28, 2021 — The first Black-directed movie musical of the modern film era, Melvin Van Peebles’s drama illuminates the cultural and political concerns of working-class Black people with delight and fancy.
The Daily
Sep 22, 2021 — No one’s claiming that Cry Macho is a great movie, but plenty are moved to reflect on what Eastwood has meant to us over all these years.
The Daily
Sep 17, 2021 — New issues of Film Quarterly and Animus and a conversation with Liv Ullmann and Jessica Chastain are among this week’s highlights.
The Daily
Aug 30, 2021 — As the fifty-fifth edition wrapped over the weekend, Stefan Arsenijević’s As Far as I Can Walk took three prizes.
The Daily
Aug 27, 2021 — This week we’re delving into the history of Black cinema and reflecting on films from Afghanistan and Iran.
The Daily
Aug 19, 2021 — The producer and distributor offers a portrait of an exhibitor who helped shape the art-house moviegoing experience.
The Daily
Aug 2, 2021 — Here’s what’s next for Werner Herzog, Wim Wenders, and Dominga Sotomayor, plus updates on forthcoming films from Jean-Luc Godard and Claire Denis.
Essays
Jul 20, 2021 — Dismissed as gossip-column fodder in its time, Jacques Deray’s cooly enigmatic villa thriller is an exploration of masculine vanity and feminine disillusion.