The Criterion Collection
Apr 16, 2019 — Most proper New Waves of the 1960s came equipped with a rough balance of assimilable superstars and genuine radicals, and for the Czechoslovaks, the guerrilla flank was led by Jan Němec. Jiří Menzel was adored globally for his wry humor,...
The Daily
Dec 6, 2018 — Adam McKay’s Vice leads the Golden Globe nominations as critics write up their lists of the best of 2018.
Nov 18, 2018 — This sensuous, sprawling epic, which Ingmar Bergman intended to be his swan song, offers an effortless summing up of the themes—among them family, identity, and mortality—he'd spent a career exploring.
The Daily
Oct 14, 2018 — If horror is going to be forever plagued by remakes and sequels, we could do worse than this year’s Halloween and Suspiria.
The Daily
Jul 19, 2018 — Damien Chazelle’s First Man will open Venice, and Alfonso Cuarón’s Roma will be the NYFF’s Centerpiece presentation.
The Daily
May 17, 2018 — High praise for the Korean director’s first film in eight years.
The Daily
Apr 4, 2018 — “It has been half a century since Werner Herzog released his first full-length feature, Signs of Life (1968) which depicts a wounded German WWII paratrooper losing his mind on a torpid Greek island,” writes Joseph Hincks, introducing his interview for...
Dec 20, 2017 — Over the past decade, contemporary Greek cinema has erupted onto the international film stage with a new vanguard of directors whose bold works share a taste for provocation and highly stylized worlds. This week on the Criterion Channel on FilmStruck,...
Short Takes
Jun 23, 2017 — Kirsten Johnson joined Illeana Douglas for an evening of conversation and a screening of Cameraperson at the Wing, a women’s club that recently opened in Manhattan.
Features
Mar 6, 2017 — To commemorate the anniversary of the late Polish master’s birth this week, critic Michał Oleszczyk pays tribute to his mercurial style, urgent political themes, and sly evasion of the censors.