Jan 17, 2020 — Of all the weird scenes that populate seventies science-fiction cinema, the most bizarre might be in 1971’s The Omega Man. Based on Richard Matheson’s I Am Legend, the film imagines a world in which fallout from a distant war has...

Jan 16, 2020 — Deep Dives The question that was asked of the great actors and actresses of silent film with the coming of sound was simple: Could they speak? Could they adapt the styles they had developed to the demands of dialogue and...

Jan 14, 2020 — There’s been a whole of kvetching, but also a bit of celebrating since the nominations were announced on Monday.

Jan 10, 2020 — How do movies work? It’s a question that seems to have been on more than a few minds this week.

Jan 10, 2020 — How many times, in cultural history, has surrealism been declared out for the count? For the German philosopher Walter Benjamin, writing in 1929, surveying the surrealist literature of André Breton, Robert Desnos, and Louis Aragon, the glory days of this...

Godard in Paris

The Daily

Jan 8, 2020 — A major retrospective at the Cinémathèque française has us turning to writing by Peter Wollen, Gilberto Perez, and Jonathan Rosenbaum.

Jan 7, 2020 — The filmmaker, theater director, and Actors Studio instructor had a seemingly endless string of stories to tell.

Jan 7, 2020 — Understudies everywhere should take heart at the tale of Katharine Hepburn’s long history with the role of Linda Seton, the high-spirited but reclusive heiress she plays in George Cukor’s 1938 Holiday. When the Philip Barry play the film is based...

Jan 6, 2020 — 1917 is now repositioned as a late frontrunner in the Oscar race.

Last Acts

The Daily

Jan 3, 2020 — This week we’ve been reading about Orson Welles, Nina Menkes, Martin Scorsese, Luc Moullet, and the late Robert Frank.

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