The Criterion Collection
The writer and director of The Two Faces of a Bamiléké Woman and Mambar Pierrette talks about being inspired by Ousmane Sembène and shares how Abbas Kiarostami’s films freed her to blur the boundaries between documentary and fiction.
The award-winning actor, best known for Todd Haynes’s May December, champions the twisted pleasure of Memories of Murder, selects favorites featuring his costar Julianne Moore, and talks about the subtle beauty of films like Drive My Car and After Life.
The award-winning writer and director of Tótem shares her love for Aki Kaurismäki’s “strange, funny filmmaking spirit,” dedicates her selection of Barbra Streisand’s The Prince of Tides to her mom, and talks about Werner Herzog as a “warrior” in Burden...
The writer and director, best known for creating and starring in the hit television show Schitt’s Creek, talks about the eternal inspiration of Moonstruck, shares his love for Parker Posey, and reminiscences about watching Sofia Coppola direct on the set...
The acclaimed actor shares his deep connection to Onibaba, praises Isabelle Huppert and her performance in The Piano Teacher, recalls Gate of Flesh’s influence on the Wooster Group, and selects a few of his collaborations with Wes Anderson and Martin...
The award-winning actor and producer discusses his work in such Mexican-cinema classics as Y tu mamá también and Amores perros, shares his love for the mysterious pleasures of Blow-Up and Purple Noon, and praises the brilliance of Luis Buñuel and...
The writer and director of Godland—Iceland’s 2023 Oscar submission—shares his love for Ana Torrent’s performances in Cría cuervos and The Spirit of the Beehive, talks about the physicality of Naked and the fear and inspiration in L’humanité, and praises the...
The writing and directing partners behind the new show A Murder at the End of the World talk about the influence of Alan J. Pakula, share their deep connection to The Double Life of Véronique and After Life, and praise...
The philosopher names Trouble in Paradise “Ernst Lubitsch’s ultimate masterpiece,” praises Peter Weir’s early films, and calls the final scene of City Lights “the most sublime ending.”
The Palme d’Or–winning director praises Catherine Breillat’s cinematic exploration of sexuality, talks about Gena Rowlands and John Cassavetes’s collaborations, and shares a story from the set of one of his films.