May 18, 2020 It’s hard to imagine Hollywood without Frances Marion. The story of the screenwriter’s career is entwined with the story of Hollywood itself, from its pioneer days to the Golden Age. Part of Marion’s skill as a writer was how her...

May Books

The Daily

May 11, 2020 This week’s round comes loaded with lists: 100 novels about cinema, fifty novelizations, and dozens of Sheila O’Malley’s favorite biographies.

Hollywoodland

The Daily

May 6, 2020 What if the Hollywood of the 1940s were less racist and homophobic than the America of the 1940s?

Apr 29, 2020 The actor best known for his work with Danny Boyle, Ang Lee, Asif Kapadia, and Ritesh Batra was only fifty-three.

Apr 28, 2020 “Fuck! Fuck you fuck me fuck old people fuck children fuck peace! Fuck peace.”Miranda July shouts at her car’s steering wheel. With a black Sharpie, she scrawls FUCK in huge letters on the inside of her windshield. She drives. Sunlight...

Apr 28, 2020 I first fell in love with Miranda July’s work with her strange, wild, poignant short stories;  her stories led me to her novel  and first two feature films, which I watch so  often that they have over time become spiritual...

Apr 22, 2020 One of the true dark glories of the Czechoslovak New Wave, The Cremator (Spalovač mrtvol, 1969) is the most popular and indelible work by the underappreciated Juraj Herz and remained a firm favorite of the director’s among his many films....

Apr 22, 2020 Deep Dives The Forest for the Trees, by German filmmaker Maren Ade, is one of the deepest depictions of loneliness on-screen. After serving as a television producer and shooting two shorts, Ade made this first feature, based on her own...

April Books

The Daily

Apr 20, 2020 This month sees new books by and about Woody Allen, Miranda July, and Michael Snow as well as fresh translations and collections of criticism.

Outside and Inside

The Daily

Apr 10, 2020 This week we’re reading Peter Wollen on Performance, Thomas Elsaesser on puzzle movies, David Bordwell on how movies work, and more.

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