Pi

Sep 13, 2019 — Nicholas Britell’s scores are so finely calibrated to the movies they inhabit that they become inextricable from the images on-screen. Whether it’s the staccato heartbeat of orchestral strings in Barry Jenkins’s Moonlight or the mix of piano motifs and hip-hop...

Sep 12, 2019 — A new web resource spearheaded by Su Friedrich celebrates women editors from around the world, highlighting work that has long been obscured by the masculinism of auteurist film culture.

Sep 11, 2019 — Following his landmark collection of photographs, The Americans, Frank made essential films about the Beats, the Stones, and his own personal tragedies.

Sep 10, 2019 — The comedic murder mystery in the grand tradition of Agatha Christie has scored an outstanding round of early reviews.

Sep 9, 2019 — The jury presided over by Lucrecia Martel has surprised just about everyone.

Sep 6, 2019 — This week we revisit the work of the late critic Gilberto Perez, novelist W. G. Sebald, and filmmakers Alice Guy Blaché, Wong Kar-wai, and Agnès Varda.

Sep 6, 2019 — In Nang, young writers celebrate Asian cinema in honor of Alexis Tioseco and Nika Bohinc, and new issues of other titles offer fresh reviews and interviews.

Sep 5, 2019 — Fans of the Swedish director will know what to expect, but he seems to be taking his unique vision in a slightly new direction.

Sep 4, 2019 — The late actor became an icon of his generation with this moody, brilliant non-performance, informed by his intimate knowledge of chaos and death.

Sep 3, 2019 — In the early sixties, John Schlesinger made a name for himself as part of the British New Wave, as the energetic, gritty realism of his first few features—A Kind of Loving, Billy Liar, and Darling (for which Julie Christie won...