The Criterion Collection
The Daily
Sep 12, 2018 — Viola Davis, Robert Redford, and Gael García Bernal star in a cluster of new heist movies.
Sep 11, 2018 — There is a brief, nearly throwaway scene early in Olivier Assayas’s Cold Water (1994) that testifies to the transcultural power of rock and roll. In an apartment outside Paris in 1972, we see two teenage brothers wrestling over a portable...
The Daily
Sep 10, 2018 — Hopes were high in Venice this year, and for the most part, they seem to have been fulfilled.
The Daily
Sep 8, 2018 — The star of over a hundred movies wielded his laid-back charisma to conquer the box office throughout the 1970s.
On the Channel
Sep 7, 2018 — For the Criterion Channel original series Art-House America, now playing on FilmStruck, we recently visited the Texas Theatre in Dallas, a venue that became infamous as the site where Lee Harvey Oswald was arrested and now hosts a variety of imaginative...
Sep 7, 2018 — F ew filmographies encapsulate the rebellious spirit of American cinema in the seventies better than that of Hal Ashby, who crafted an astonishing string of movies that stretched across the span of the decade. Finding success as an editor early...
The Daily
Sep 7, 2018 — Hoberman on Romero, Anderson on Godard, Gallagher on Ford, filmmakers’ top fifties, and more.
The Daily
Sep 6, 2018 — New films by Jennifer Kent, Jacques Audiard, Paul Greengrass, and Pablo Trapero.
On the Channel
Sep 5, 2018 — It took a while for Paul Feig—the director behind such smash-hit comedies as Bridesmaids and Spy—to come around to the darker side of cinema. Back in his college days, the filmmaker appreciated the superior technique of the dramas and foreign films he saw in his...
The Daily
Sep 3, 2018 — Here’s how the competition is shaping up so far.