The Criterion Collection
Aug 18, 2003 — One of the Swedish director’s most representative works, this drama’s portentousness, banked intensity, and recondite symbolism come near to embodying the popular stereotype of the Bergmanesque.
Apr 28, 2003 — François Truffaut’s third Antoine Doinel installment is a perpetual juggling act by which harsh truths are disguised as light jokes.
Apr 17, 2017 — Artist and writer Dash Shaw chats with us about first discovering René Laloux’s 1973 sci-fi masterpiece and its lasting influence on his own illustration style.
May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...
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Apr 27, 2026 — The festival centered on experimental documentary and avant-garde film will roll out across five New York venues.
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Sep 29, 2025 — Notes on new studies of David Lynch and Stanley Kubrick and biographies of Jane Birkin and Terrence Malick.
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Dec 3, 2020 — One of cinema’s preeminent directors is currently at work on two new projects.
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Jan 26, 2018 — New York. Tomorrow, to celebrate the republication of Stan Brakhage’s book Metaphors on Vision (1963), the Metrograph and Light Industry cofounders Ed Halter and Thomas Beard will present a 16 mm print of his 1957 short Daybreak & Whiteye—and a...
Feb 3, 2015 — Jean-Luc Godard returned to the character-driven intensity of his earlier films with this satirical but serious-minded take on men, women, and money.