In girum imus nocte et consumimur igni

Apr 24, 2015 — Atypical in style and subject, Yasujiro Ozu’s early crime dramas show a future master brilliantly experimenting with camera and editing.

Apr 14, 2015 — Before he turned Vienna into a labyrinth of shadows with The Third Man, Carol Reed brought film noir to Belfast for this stylishly fatalistic tale of a man caught up in political violence.

Apr 1, 2015 — Ingmar Bergman plumbs unfathomable depths in his cinematically sensual tale of four women facing the inevitable in mind and body.

Mar 31, 2015 — After playing in hard-core and glam bands throughout the 1980s and ’90s, Queens-born singer-songwriter Jesse Malin released his first solo album, The Fine Art of Self Destruction, in 2002. He has since recorded six more records, including New York Before...

Mar 30, 2015 — The astonishing intimacy and scope of this remarkable, aesthetically captivating epic ushered in a new era of narrative documentary filmmaking.

Feb 26, 2015 — Ben Wheatley is the director of Down Terrace, Kill List, Sightseers, and A Field in England. He says: “Criterion, to me, has always been an exclusive collection. It stood out due to the choices they made and the design. But...

Feb 24, 2015 — Federico Fellini’s fragmentary and picturesque tale of death and debauchery in ancient Rome is a surreal take on reality.

Feb 11, 2015 — Filmmaker Kogonada, with a little help from Sylvia Plath, reflects on women and mirrors in the films of Ingmar Bergman.

Jan 28, 2015 — Canadian filmmaker Atom Egoyan has directed fourteen features, including The Adjuster (1991), Exotica (1994), The Sweet Hereafter (1997), Ararat (2002), and, most recently, The Captive (2014). He writes, “Rather than a top ten, these are ten films with which I...

Jan 20, 2015 — Here he is: the real, unreal Guy Maddin, in his phantasmagorical, polymathic stew of sex, memory, and dreams.