The Criterion Collection
The Daily
May 25, 2017 — “It’s baffling that Jacques Doillon’s Rodin was granted one of the main-competition slots,” writes Manohla Dargis in her latest dispatch from the Cannes Film Festival back to the New York Times. “A handsomely mounted waxworks, it might have made sense...
Essays
Mar 24, 2017 — Capturing the cultural anxieties of the 1970s, Hal Ashby’s comedic parable explores the pitfalls of innocence and credulity in American politics.
Mar 1, 2017 — In his most seductive experiment with cinematic time, Richard Linklater wrestles with the joys and challenges of long-term intimacy.
May 17, 2016 — Before the release of his new film Sunset Song, the beloved filmmaker stopped by the Criterion kitchen for lunch and became especially animated when our discussion drifted toward two of his great loves: the plays of Anton Chekhov and musicals...
Interviews
Feb 3, 2016 — For more than two decades, photographer Gregory Crewdson has been creating otherworldly images that reveal an eerie side of Americana. His works, typically tableaux of small-town life, transform the everyday into the uncanny.
Nov 5, 2015 — Julien Duvivier’s early sound films offer emotionally rich explorations of life in prewar France.
Essays
Nov 25, 2014 — More than just observational, Les Blank’s sensual documentaries are personal and participatory celebrations of American culture.
Film Guides
Jan 6, 2014 — Critics commonly describe Throne of Blood (1957) as Akira Kurosawa’s adaptation of Macbeth. While this description is certainly not untrue, the film is much more than a direct cinematic translation of a literary text. Kurosawa’s movie is a brilliant synthesis...
Interviews
Oct 29, 2013 — In this 1997 interview, the British-born Hollywood director talks about his early career and the making of his most famous film, The Uninvited.
Jun 26, 2013 — On the life and work of the famous Czech author, and the pleasures and challenges of translating him.