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Aug 24, 2012 Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled the results....

Aug 21, 2012 Andrew Haigh’s boy-meets-boy story reminds us that the biggest pleasures of falling in love come from the little moments of connection.

Aug 14, 2012 The camera never stops moving in the Dardenne brothers’ portrait of a troubled teenage girl desperate for a job.

Jul 31, 2012 Aki Kaurismäki’s latest working-class fable is his warmest, and his most political.

Jul 24, 2012 Whit Stillman’s wry comedy about Upper East Siders looked like a perverse bit of daring in 1990; today it seems like an artifact from an earlier century.

Jul 24, 2012 Trained as a musician, Jean Grémillon became one of French cinema’s most lyrical artists. His most beloved films were made during World War II.

Jul 14, 2012 Simply stated, Wes Anderson is the most original presence in American film comedy since Preston Sturges. He is as boundlessly confident as  Sturges was in his heyday, and he has a similarly keen ear for gaudy dialogue; a gift for...

Jul 6, 2012 Samuel Fuller wrote this extraordinary “interview” piece shortly after White Dog was completed. It appeared in issue 19 of the journal Framework in 1982, with this introduction: “The director of Paramount’s White Dog interviewed the title actor of the movie...

Jun 27, 2012 The warrior and philosopher protagonist of The Samurai Trilogy, Musashi Miyamoto, was a real-life seventeenth-century figure. Here, the translator of Musashi’s The Book of Five Rings tells us about this fascinating man and his principles of swordplay and spirituality.

Jun 21, 2012 The following interview with actor Ruth Gordon originally appeared in the April 4, 1971, edition of the New York Times. “Have ya gotta angle for the story?” The accent—part New England hayseed, part Dead-End Kid—is unmistakable. It belongs to Ruth...

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