The Criterion Collection
Jun 1, 2017 — Earlier this spring, Ryuichi Sakamoto gave an exquisitely intimate concert at the Park Avenue Armory in New York. Surrounded by a small audience in the venue’s opulent Veterans Room, the renowned Japanese composer was positioned in the center of the...
The Daily
May 22, 2017 — “Michael Haneke is back to many of his old tricks in Happy End, which enfolds the child psychopathy of Benny’s Video, the bourgeois nightmare of Hidden, the euthanasia theme of Amour, and the racial discomfort of Code Unknown into a...
Apr 12, 2017 — With a comprehensive retrospective of her work opening at New York’s Quad Cinema, Lina Wertmüller chats with us about her early days as a moviegoer and her collaborative process.
Oct 19, 2016 — Martha Karsh, editor of The Beatles A Hard Day’s Night: A Private Archive, published in September by Phaidon, talks about her family’s Beatlemania and assembling a book about the world’s most famous rock band.
Sep 21, 2016 — An exhilarating blend of noir and splatter-flick tropes, the Coen brothers’ debut feature established their unique brand of cosmic fatalism.
Aug 17, 2015 — François Truffaut’s love letter to the movies is a lightheartedly self-reflexive symphony of camera movement and musical flourish.
Features
Oct 23, 2014 — The author recalls meeting the filmmaker in a Swedish hotel in the ’70s.
Dec 11, 2012 — Philip Glass’s experimental operas and symphonic works of the 1960s and ’70s laid the groundwork for his hypnotic Qatsi scores.
Jul 14, 2012 — Simply stated, Wes Anderson is the most original presence in American film comedy since Preston Sturges. He is as boundlessly confident as Sturges was in his heyday, and he has a similarly keen ear for gaudy dialogue; a gift for...
Essays
Aug 30, 2011 — A startling blend of fantasy and reality, Lindsay Anderson’s satirical tale of adolescent rebellion personifies the 1960s.