Found

Oct 28, 2022 — Iranian cinema, the history of horror, and malevolent conspiracies are on our minds this week.

Oct 18, 2022 — The winner of top nonfiction awards at Sundance, Cannes, and London arrives in theaters.

Oct 12, 2022 — In one of Brazil’s largest favelas, women create their own underground economy.

Oct 11, 2022 — One mystery leads to the next over the course of twelve chapters split into two features.

Sep 29, 2022 — An erotically charged “musical fantasia” opens the NYFF’s Currents program.

Sep 28, 2022 — Cameroonian director Dikongué-Pipa’s debut feature is both a manifesto on cinema’s capacity to bring about social change and a celebration of love and its possibilities.

Sep 28, 2022 — A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.

Sep 28, 2022 — Uday Shankar’s fantastical dance epic embodies a progressive, postcolonial Indian aesthetic that is decades ahead of its time.

Sep 20, 2022 — A new collection introduces a major French critic and editor to English-speaking cinephiles.

Sep 8, 2022 — All the Beauty and the Bloodshed is the only nonfiction film competing in Venice—and Werner Herzog and Mark Cousins remain as busy as ever.