The Criterion Collection
Jul 10, 2018 — The martial-arts film was never the same after King Hu got his hands on it, reinventing the genre with subtle editing and dazzling choreography.
On the Channel
Jul 2, 2018 — The sweetness and aggression of female erotic pleasure take center stage in Pussy, an imaginatively stylized animated short now playing on FilmStruck.
Jun 26, 2018 — John Waters’ favorite among his early works is both an assault on political correctness and a no-holds-barred expression of gay militancy.
The Daily
May 7, 2018 — And it’s May ’68 all over again in New York, D.C., and London. Plus Bergman in L.A., Tarkovsky in San Sebastián, and more.
On the Channel
May 3, 2018 — Two of the earliest films to depict the bombing of Hiroshima show how politics shapes national mourning.
May 1, 2018 — Working within the strict rules and tight budget of a commissioned television project, one of France’s finest contemporary directors made an artistic breakthrough that would go on to define his career.
Essays
Mar 30, 2018 — This spectacular and technically ambitious Hollywood musical is a priceless window onto American pop culture’s view of itself in the 1930s.
Mar 23, 2018 — In anticipation of his debut on the Criterion Channel, Connor Jessup spoke with us about his experiences as an emerging filmmaker and his collaboration and friendship with Thai maverick Apichatpong Weerasethakul.
The Daily
Mar 22, 2018 — David Lynch and Mark Frost’s Twin Peaks: The Return comes in at #1 on the Cinema Scope Top Ten of 2017 and, as editor Mark Peranson points out, all the other titles on the list have been covered in past...
The Daily
Mar 19, 2018 — New York. On Friday and Saturday, Anthology Film Archives pairs Forough Farrokhzad’s The House Is Black (1962) and Abbas Kiarostami’s The Wind Will Carry Us (1999). As Jeva Lange notes at Screen Slate, House “was shot at a leper colony...