The Criterion Collection
The legendary French auteur talks about the intimacy of discovering yourself in cinema, shares her lifelong connection to Viridiana and Black Orpheus, and praises directors whose work continues to inspire and transport her, from Elia Kazan and David Lynch to...
The cinematographer of Bound and The Matrix talks about the thrill of watching John Ford’s Stagecoach for the first time, praises Martin Scorsese’s love of music, and picks up a recommendation from his granddaughter—Nobuhiko Obayashi’s House.
The writer-director of Janet Planet joins the film’s editor in praising Maurice Pialat’s unsentimental depiction of childhood, their collaborator Maria von Hausswolff’s cinematography in Godland, and the ineffable magic of Michael Powell and Emeric Pressburger.
The award-winning playwright, actor, producer, and director shares his love for Sweet Sweetback’s Baadasssss Song, celebrates how Bob Fosse captured dance on-screen like no one else, and talks about the artists who have shaped him, from Lena Dunham and the...
The duo behind the legendary band share their formative memories of encountering Island of Lost Souls, praise Fellini’s unique sonic sensibility, and talk about their love for Tony Curtis and Burt Lancaster in Sweet Smell of Success.
The award-winning actor, writer, and director shares his love for the hard-boiled voice-over in Blast of Silence, praises the exquisite acting and production design of Topsy-Turvy, and selects favorites by his frequent collaborators Joel and Ethan Coen.
The writer and director admires how filmmakers like Jacques Tati, Wes Anderson, and David Lynch sculpt their own universes, selects a Spike Lee double feature, and praises Víctor Erice’s films as some of the best in cinema history.
The writer, director, actor, and producer shares what Marlon Riggs’s work means to her as a Black queer filmmaker, praises Rainer Werner Fassbinder’s radical approach to melodrama, and spotlights Chantal Akerman, Agnès Varda, and other directors whose work she can’t...
The Oscar-winning writer and director talks about Army of Shadows and Jean-Pierre Melville’s cinema of betrayal, shares his love for Denis Lavant's dancing in Beau travail, and selects favorites by Yasujiro Ozu, Ernst Lubitsch, and Nicholas Ray.
The acclaimed actor shares his affection for the dark humor of The Cremator, credits Benicio del Toro with introducing him to the films of Kaneto Shindo, and praises Mexican-cinema classics like Canoa: A Shameful Memory and Amores perros.