War

Apr 8, 2022 — This week we’re imagining possible futures with David Lynch, Apichatpong Weerasethakul, Pier Paolo Pasolini, and Gus Van Sant.

Mar 29, 2022 — About half an hour into love jones, Theodore Witcher’s romance from 1997 starring Larenz Tate and Nia Long, the two main characters amble along a Chicago block as raindrops fall, soft but insistent. The colors are warm, naturalistic—browns, mauves, and...

Mar 28, 2022 — At once euphoric and elegiac, Martin Scorsese’s concert documentary captures the members of the Band on the brink of spiritual and physical collapse as they mount their transcendent final send-off.

Mar 11, 2022 — This week’s roundup roams from pre-Code Hollywood to the New Hollywood of the 1970s.

Mar 11, 2022 — Deep Dives There’s an entire realm of children’s entertainment that survives mostly on the margins of collective consciousness. The average person is unlikely to know Michael Sporn’s name, but if they are of a certain age, they almost certainly have...

Feb 18, 2022 — This week we’re celebrating pioneers of queer cinema and reading about Melville, Menelik Shabazz, Patrick Wang, and Francis Ford Coppola.

Feb 17, 2022 — Here’s a sampling of early critical response to this year’s winners.

Feb 14, 2022 — A ’20s jazz hit provides a rare moment of peace in Howard Hawks’s frenzied screwball comedy.

Feb 1, 2022 — A solid dossier, an exhibition, and festival screenings illuminate the work of a stalwart of cinema.

Jan 18, 2022 — Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...