The Criterion Collection
The actor, whose work includes Barbie and Bad Things, praises Luis Buñuel’s thorny explorations of desire, shares her Powell and Pressburger favorites, and shouts out the visionary costume and production design of Eiko Ishioka.
The Daily
May 29, 2026 — We’re revisiting work by Tarkovsky, Pelechian, and Portabella as well as two films with the word Dead in the title.
Mar 24, 2026 — Martin Scorsese’s powerful drama, which recounts a series of killings that devastated the Osage Nation in 1920s Oklahoma, turns the historical epic into a Möbius strip that blurs audience, film, and director.
The Daily
Sep 24, 2025 — She won the hearts of audiences and costars in The Leopard, 8½, and Fitzcarraldo.
The Daily
Jul 1, 2024 — BAM will launch a nine-film series with the one film that stars both, Robert Altman’s 3 Women.
The Daily
Feb 26, 2024 — The Berlinale’s top award went to Dahomey on an evening that has sparked heated debate.
The Daily
Aug 28, 2020 — This week’s highlights feature paintings brought to life, pioneering citizen journalists, early “race films,” and the first Japanese wave.
Features
Nov 20, 2018 — In the aftermath of the political turmoil that swept through France in 1968, Sylvina Boissonnas used her wealth to sponsor some of the most radical films of the era, including works by Philippe Garrel and Jackie Raynal.
Features
Dec 20, 2017 — In her latest column, critic Imogen Sara Smith explains how cinematographer Henri Decaë brought a risk-taking spirit and seductive allure to some of the most iconic French crime films.
Sep 12, 2016 — During a research mission to Spain, Criterion web producer/researcher Valeria Rotella takes a day trip to the medieval desert town of Chinchón, where Orson Welles is rumored to have shot Chimes at Midnight and The Immortal Story.