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Apr 9, 2013 This review by film critic Janet Maslin originally appeared in the December 27, 1991, edition of the New York Times, and appears by permission of the author. Naked Lunch, adapted by the dauntless David Cronenberg from William S. Burroughs’s 1959...

Apr 9, 2013 David Cronenberg and William S. Burroughs: it was a meeting of the mutant minds years in the making.

Mar 13, 2013 The slimiest movie monster of them all is part of—and perfects—a great tradition of unstoppable outer-space invaders.

Feb 25, 2013 When an ethnographic filmmaker and a sociologist joined forces, they helped change the course of nonfiction cinema.

Feb 19, 2013 Elia Kazan’s masterwork is a vivid, tough look at a time and place, and a transcendent human drama.

Feb 18, 2013 Performances Hiroshima mon amour (1959) is a groundbreaking portrait of a world come undone. Even more memorably, thanks to the brilliant precision of Emmanuelle Riva’s performance, it’s a study of a woman unraveling. In this first leading role in an...

Feb 12, 2013 The Dardenne brothers return to the streets of Seraing for a typically humane and suspenseful story of personal redemption.

Feb 5, 2013 Keisuke Kinoshita’s most experimental film is a resplendent, kabuki-inspired, folk-derived drama about mortality.

Jan 30, 2013 The improvisational arts of filmmaking, jazz, and chili.

Jan 22, 2013 Andrei Tarkovsky’s austere, minimalist, and poetic film was the first major accomplishment in an oeuvre that would become one of Russia’s main contributions to the treasury of world cinema.

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