The Criterion Collection
Jul 2, 2024 — Self-destruction is not only an aesthetic but its own subject matter in Sam Peckinpah’s deeply elegiac western, a towering masterpiece that examines American power and greed.
The Daily
Jun 26, 2024 — A happily married lawyer strikes up an affair with her teenage stepson in Breillat’s first feature since Abuse of Weakness (2013).
Essays
Jun 18, 2024 — In this stylish erotic noir, Lilly and Lana Wachowski delight in destabilizing our genre and gender expectations, laying the foundation for the trans sensibility that runs through all their work.
Jun 13, 2024 — Baker has selected seventeen films to screen in New York before her first feature opens next week.
The Daily
Jun 6, 2024 — In the run-up to the release of Green Border, the Museum of the Moving Image will present a two-week, ten-film survey of her work.
The Daily
May 29, 2024 — Berlin’s Kino Arsenal presents a series focusing on nature and the nonhuman in cinema.
The Daily
May 22, 2024 — Critics in Cannes warmly welcome Rumours, Christmas Eve in Miller’s Point, and Eephus.
May 14, 2024 — Few filmmakers had a greater impact on the shape and direction of American cinema in the 1960s and ’70s.
The Daily
May 8, 2024 — Thelma Schoonmaker brings Michael Powell’s Peeping Tom to the inaugural edition of JBFC Restored and Rediscovered.
The Daily
May 3, 2024 — Hiroshi Shimizu and Oscar Micheaux retrospectives open in New York and cinematographer Hélène Louvart talks about working with Varda, Wenders, and more.