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The Way We Were

May 27, 2020 London-based director Sandhya Suri already had several acclaimed documentaries to her name—including I Is for India (2005) and Around India with a Movie Camera (2018)—when she decided to make her first foray into narrative filmmaking. Inspired by some of the...

May 14, 2020 Restoration Spotlight I was just coming of age as a moviegoer when digital video hit the big screens, around the turn of the twenty-first century. At the time, I remember being every bit as entranced by the gritty horror of...

Apr 14, 2020 Whether or not you believe it is the greatest year of all for the Hollywood studio system, the wonder of 1939 is the sheer depth of its bench. On a ten-movie best-picture ballot, the Oscars found no room to nominate...

Mar 9, 2020 “My objective is to create my own world, and these images which we create mean nothing more than the images which they are.” Andrei Tarkovsky More than three decades after his passing, the films of Andrei Tarkovsky retain their ability...

Mar 27, 2019 Certain films find a way of creeping into your brain because they invite you to explore whole new worlds that continue well beyond their final frames. These movies force you to keep looking for answers to questions posed not just...

Jun 8, 2018 On a rainy Saturday in May that called to mind the foggy Pacific Northwest atmospheres of Twin Peaks, a crowd gathered at the music venue Brooklyn Steel for a journey through the world of David Lynch. Celebrating its third annual...

Oct 28, 2014 What you hear is as crucial—and as funny—as what you see in Tati’s films.

Oct 21, 2014 Federico Fellini’s frantic tragicomedy is such a classic it risks being underestimated.

Sep 16, 2014 The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...

Remembering Alain Resnais

Production Notes

Mar 5, 2014 A few years ago, as I was collaborating on the Criterion release of Last Year at Marienbad, I had the chance to meet Alain Resnais. We had released Hiroshima mon amour and Night and Fog a few years earlier, and...

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