The Passage

Apr 14, 2015 — Before he turned Vienna into a labyrinth of shadows with The Third Man, Carol Reed brought film noir to Belfast for this stylishly fatalistic tale of a man caught up in political violence.

Feb 5, 2019 — Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

Dec 4, 2017 — Aafter talking with Robert Pattinson about his eagerness to work with Josh and Benny Safdie on Good Time and with James Gray on The Lost City of Z, IndieWire’s Chris O’Falt has gotten the actor to chat a bit about...

May 13, 2013 — Delmer Daves’s visually majestic, emotionally charged western finds its drama in the decency of its characters.

Apr 19, 2016 — In Whit Stillman’s second feature, cousins Fred and Ted Boynton (Chris Eigeman and Taylor Nichols) navigate an occasionally hostile culture and their own late transitions to adulthood.

From sweeping epics to more intimate, luminous films, this English filmmaker’s pictures were driven by his deep interest in complex characters, his brilliant way with actors, and his classic sense of storytelling.

Nov 26, 2018 — The legendary filmmaker possessed the greatest speaking voice in American cinema, and The Magnificent Ambersons represents the summit of his work as a vocal actor.

Oct 7, 2020 — The NYFF’s program of five short works is currently screening virtually through Saturday.

Nov 25, 2019 — The filmmaker, critic, and professor’s passion for cinema was contagious.

Jun 7, 2019 — He is the most disarming and self-effacing of the English actors who dominated stage and screen in the middle of the twentieth century—the others were John Gielgud, Ralph Richardson, Michael Redgrave, and Laurence Olivier. Those fellows carried themselves like grand...