The Criterion Collection
Essays
Jun 25, 2007 — Taking the form of apocalyptic science fiction typical of the Cold War era, Chris Marker’s singular film is simultaneously a philosophical fiction, genre exercise, and treatise on cinematic time.
Oct 16, 2006 — Screenwriter Carlos Cuarón delves into the character played by Astrid Hadad
Feb 13, 2006 — John Ford’s biographical drama portrays an imaginary antebellum America with relaxed humor and effortless nostalgic charm while sustaining an underlying note of somber apprehension.
Features
Sep 13, 2004 — This oblique strategy can be seen as a self-referential characterization of Slacker itself: it appears to have no structure, to be chaotic (a matter of random encounters), when, in fact, it has a very subtle, extremely well-crafted structure that makes...
Nov 11, 2002 — A second Monterey International Pop Festival has for the past month been put in jeopardy by a vicious handful of citizens, cops, and city officials in a small-town drama straight from Peyton Place and The Invaders.
May 19, 2026 — “My history’s burning up out here,” Ned Racine (William Hurt) tells his lover in the opening minutes of Lawrence Kasdan’s directorial debut, Body Heat (1981). Ned, a small-time attorney and local roué in his South Florida beach town, recognizes the...
Essays
Mar 18, 2013 — Using a 1958 murder spree as a narrative springboard, Terrence Malick fashioned a fractured fairy tale about American innocence lost.
Features
Feb 2, 2011 — These tributes first appeared in the winter 2010 issue of Brick, a literary journal based in Toronto. They are posted here by permission of the authors. The photographs appear courtesy of Colleen Murphy. Colleen Murphy After we decided to...
Mar 17, 2010 — 1. A Park—Night A man aflame is running directly toward camera. This image, which comes from Nicholas Ray’s initial treatment for Rebel Without a Cause, might stand at the head of almost any of Ray’s movies, since it so clearly...
Feb 10, 2003 — The poet Paul Eluard says that to understand my film version of Beauty and the Beast, you must love your dog more than your car. Ordinarily, I would settle for that. However, with so much being written about the film...