The Last Command

Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...

Jun 24, 2024 — Costars and critics remember an outstanding actor who neither looked nor sounded like a movie star.

Feb 12, 2018 — In “Twin Peaks: The Return, or What Isn’t Cinema?,” a four-part essay at Reverse Shot, Nick Pinkerton first stakes out a position. Referring to one of Marcel Duchamp’s most famous pieces, he writes: “For a hundred years now it’s been...

Nov 15, 2016 — Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.

Sep 10, 2024 — A commanding presence on the stage and on movie and television screens, Jones could perform wonders with that voice.

May 22, 2023 — Drawing freely from the novel by the late Martin Amis, Glazer emphasizes the horror of what we do not see.

Dec 5, 2022 — For all the weekend’s best-of-2022 lists and awards, the Sight and Sound poll remains topic #1.

Aug 3, 2015 — On film noir’s unparalleled roster of resonant titles—Kiss of Death, Out of the Past, and Where Danger Lives, to name three—none is more emblematic or iconographically cogent than Night and the City. Juxtaposing two of noir’s essential, virtually ontological qualities,...

May 23, 2023 — In one of her most moving explorations of youth, Céline Sciamma offers the gently radical and reparative chance for a mother and child to share a perspective.

Feb 22, 2021 — Labor films are not where one typically goes when seeking love and grace. They are more often concerned with bodies subjected to torsion and the furrowed brow of someone who knows the cupboards are growing bare. Then there are the...