The Journalist

Aug 12, 2021 — Gleaning the best of Cannes, Berlin, and Sundance, NYFF programmers have selected thirty-two features from nearly as many countries.

Sep 28, 2017 — Dee Rees, whose Mudbound is set to screen at the New York and London film festivals, will direct an adaptation of Joan Didion’s 1996 novel The Last Thing He Wanted, reports Screen’s Jeremy Kay. Says Rees: “It’s an international spy...

Jan 11, 2011 — His most personal film as well as the final one to deal with the German occupation of France, Jean-Pierre Melville’s thriller showcases human consciousness grappling with mortality.

Aug 17, 2022 — Our late summer reading list includes vital film criticism and new titles on Josephine Baker, Douglas Fairbanks, and more.

May 11, 2021 — Dorothy Arzner’s deeply cynical portrait of marriage exemplifies the director’s ambivalence toward the norms dictating female behavior, wielding ironic detachment to mask one woman’s simmering inner turmoil.

Jul 15, 2019 — After premiering at Cannes in 1980, Franco Rosso’s Babylon was suppressed both in its native England and abroad for fear that it would inflame racial tensions, a fate that resulted in decades of obscurity. But over the years this reggae-fueled drama has...

Jun 16, 2017 — The title of the first part of Tom Paulus’s projected three-part essay for photogénie, “The Love Connection: Another Jam Session on Narrative,” references “Jam Session on Non-Narrative,” a conversation that took place between film critics Jonathan Rosenbaum, David Ehrenstein, and...

Oct 29, 2019 — Matewan opens in the pitch-black darkness of a West Virginia coal mine. A miner lights the carbide lamp on his helmet. The small open flame he wears provides the only flicker of light in this cramped space next to a...

Jun 12, 2017 — Informed by his work in theater and his travels through rural America, Nicholas Ray brought an outsider’s perspective to genre filmmaking in his debut feature.

Jul 13, 2015 — “I think that in a few years, in ten, in twenty, or thirty years, we shall know whether Hiroshima mon amour was the most important film since the war, the first modern film of sound cinema.” That was Eric Rohmer,...