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The Hard Way

May 8, 2020 — The opening and closing credits in a film are a form of housekeeping, fulfilling a legal obligation to compile the names of cast and crew who made the final product possible. Visionary designer Saul Bass saw the aesthetic potential in...

We’ll Meet Again

The Daily

May 1, 2020 — Everyone’s eager to make, show, and watch movies in theaters again. In the meantime, here’s plenty to see, hear, and read at home.

Mar 26, 2020 — Check out what’s in store next month on our streaming service!

Feb 21, 2020 — Reflections from Bong Joon-ho’s interpreter and a report from the set of Apichatpong Weerasethakul’s Memoria open this week’s wide-ranging round.

Jan 23, 2020 — The return of Miranda July, a first feature from Garrett Bradley, and a new doc from Kirsten Johnson are a few of this year’s most anticipated features.

Jan 16, 2020 — Deep Dives The question that was asked of the great actors and actresses of silent film with the coming of sound was simple: Could they speak? Could they adapt the styles they had developed to the demands of dialogue and...

Jan 3, 2020 — The director of Margaret and Manchester by the Sea celebrates Hollywood’s greatest humanist, whose films are featured in a series now playing on the Criterion Channel.

Dec 30, 2019 — We asked some of our friends if they had underappreciated films from the past decade that they wanted to champion. Here’s what they chose.

Dec 20, 2019 — The following account was scratched together in August 1990, when Wim Wenders’ Until the End of the World was still taking shape in the editing room. Apart from a basic rinse of copy editing, I’m offering it up essentially as is,...

Oct 16, 2019 — Deep Dives “I have a feeling that the really crucial moments in a film should be wordless,” the Bengali filmmaker Satyajit Ray once said. He was speaking of his 1964 masterpiece Charulata, whose action consists largely of soulful looks passing...

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