The Criterion Collection
Apr 2, 2018 — The director of Love After Love examines the emotional subtlety of Maurice Pialat’s camera work in a pivotal scene in the 1983 masterpiece À nos amours.
Essays
May 27, 2014 — Howard Hawks was both a skillful Hollywood craftsman and a deeply personal artist, and this western of uncommon wit and grandeur is among his greatest and quirkiest films.
Nov 4, 2014 — In cinema history, there truly is no gag like a Tati gag.
Features
Sep 13, 2004 — This oblique strategy can be seen as a self-referential characterization of Slacker itself: it appears to have no structure, to be chaotic (a matter of random encounters), when, in fact, it has a very subtle, extremely well-crafted structure that makes...
On the Channel
Sep 29, 2021 — Celebrate the spooky month with our collection dedicated to cinema’s most legendary monsters and a series of chilling home-invasion thrillers.
Apr 23, 2007 — Louis Malle’s documentary work adopts certain tenets of cinéma direct—improvisation, minimal crew, the refusal to organize reality—and applies them to a consistently class-conscious, outsider perspective.
On the Channel
May 26, 2022 — Shimmy into summer with our centennial tribute to Judy Garland and two career-spanning series dedicated to queer filmmakers Ulrike Ottinger and Terence Davies.
The Daily
Jan 11, 2019 — A big list from the American Society of Cinematographers, a series celebrating a slew of twentieth anniversaries, and two great series in New York.
Dec 20, 2017 — Over the past decade, contemporary Greek cinema has erupted onto the international film stage with a new vanguard of directors whose bold works share a taste for provocation and highly stylized worlds. This week on the Criterion Channel on FilmStruck,...
Mar 17, 2008 — In its portrayal of the long international arm of crime families, Alberto Lattuada’s ingenious comedy offers a prescient look at globalization.