The Criterion Collection
The actor, comedian, and writer praises John Waters as a “timeless shocker;” shares his desire for more great nightlife movies like The Last Days of Disco; and reflects on the beauty of Robby Müller’s cinematography.
The musician and Pulp front man shares how films like Blue Velvet and Meantime altered his view of cinema, talks about collaborating with Wes Anderson and Danny Boyle, and decides he’s finally ready to watch Salò, or The 120 Days...
The actor and director returns to the Closet, where he clarifies his feelings on Salò, or The 120 Days of Sodom; shares how much he learned about filmmaking from supplemental features on the Criterion editions of Barry Lyndon and Roma;...
Olivia Laing is a writer and critic. Their books include The Lonely City, Funny Weather, and Crudo. Their latest novel, The Silver Book, is about the making of Federico Fellini’s Casanova and Pier Paolo Pasolini’s apocalyptic masterpiece, Salò, or The...
On the Channel
Feb 18, 2026 — Among this month’s highlights are a celebration of VHS and how it revolutionized film culture, a spotlight on the Romanian New Wave, and a retrospective of pioneering queer filmmaker Monika Treut.
Jan 22, 2026 — This visually stunning masterpiece from Kazakh New Wave iconoclast Ardak Amirkulov is one of the few films that looks evil in the eye without flinching.
The Daily
Jul 15, 2025 — Much of the program upends assumptions about the postwar years as a period of relative calm and conformity.
Apr 22, 2025 — The majestic landscape of Provence takes center stage in Claude Berri’s two-film adaptation of an epic tale by Marcel Pagnol, a cinematic treasure that remains an abiding source of comfort for French viewers.
The Daily
Jan 3, 2025 — We spent the holidays reading about Claude Sautet, Pascal Plante, and Christian Marclay.
On the Channel
Jul 17, 2024 — This month, we’re celebrating the expansive, archetype-exploding films of Paul Thomas Anderson, as well as the career of his frequent collaborator Philip Seymour Hoffman.