The After

Oct 29, 2024 — From Kaneto Shindo to Kiyoshi Kurosawa, the masters of the genre over the past half-century have tapped into a deep well of cultural anxiety, exploring everything from the sins of their nation’s feudal past to the dangers of new technologies.

Oct 25, 2024 — An underseen gem of the Czechoslovak New Wave and an ambitious history of Hindi cinema are among this week’s highlights.

Oct 7, 2024 — The winner of the Grand Prix in Cannes is a portrait of three women in Mumbai—and at a crossroads in their lives.

Sep 25, 2024 — At a time when women were understood to be the primary audience for movies, Hollywood studios built vehicles for actresses that doubled as showcases for the industry’s many brilliant female screenwriters.

Sep 24, 2024 — Emerging out of the mass death, cultural ferment, and semiotic tumult of the 1990s, this trio of deliriously profane films glares at American youth culture and gives zero shits if it looks back.

Sep 17, 2024 — A vision of late-1970s London that foreshadows the political volatility of the Margaret Thatcher era, this gangster saga stars an unforgettably tempestuous Bob Hoskins as a little Englander with big dreams.

Sep 9, 2024 — Venice award-winners also include Brady Corbet, Nicole Kidman, Maura Delpero, and Dea Kulumbegashvili.

Sep 6, 2024 — Alex Cox discusses his first and next films, Warhol rarities screen in New York, and a courtroom drama revisits the culture wars of 1970s France.

Sep 4, 2024 — The festival launched RaMell Ross’s Nickel Boys and brought in a slew of critical favorites fresh from their premieres in Venice.

Aug 20, 2024 — In the late 1980s, filmmakers Gregorio Rocha and Sarah Minter set out to capture the rebellious subculture of youth in Ciudad Nezahualcóyotl, a slumlike suburb synonymous with the worst failures of urban expansion in Mexico.