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Summer Hours

Jul 14, 2009 Tough title to live up to. The lofty three-word phrase Al Reinert chose for his 1989 documentary on the Apollo space program comes from the plaque the first men on the moon, Neil Armstrong and Buzz Aldrin, left there in...

Bergman and I

Features

Jun 8, 2009 As I write this, it has been a year and a half since Ingmar Bergman passed away—and I miss him daily. I miss his imagination and the comfort he gave, both personally and through his films. I got to know...

Oct 31, 2007 After the mugginess of the New York City summer, and with the launch of the new Criterion web store and the New York Film Festival keeping us all plenty busy through the end of September, Western Australia was a breath...

Jul 23, 2007 It’s hard to think of an artist who better exemplifies the obscuring ebb and flow of film history than Raymond Bernard.

Plate o’ Shrimp

Production Notes

Jan 17, 2007 This week, Border Radio was released on DVD. The film is the post-UCLA film school project of first-time directors Allison Anders, Kurt Voss, and Dean Lent. Yesterday, we got a note from a fan who wrote a really thoughtful, personal...

Dec 4, 2006 William Greaves’s masterpiece uses a single situation as the basis for a theme-and-variation structure that interrogates every aspect of the filmmaking process as well as the categories of fiction and documentary.

Sep 29, 2003 In May 1981, in the midst of shooting Lola, Rainer Werner Fassbinder sketched out his next film project: Sybille Schmitz. On the cover, he had written, “Story for a Feature Film*.” The asterisk pointed to this footnote: “It is possible...

Mar 13, 2000 The following is excerpted from The Shifting Point, Peter Brook’s 1987 autobiography. All I wanted was a small sum of money, no script; just kids, a camera, and a beach. A young American, Lewis Allen, felt that private backers could...

Sep 24, 1992 It was in 1947 that Vladimir Nabokov began writing what he described as “a short novel about a man who liked little girls.” Completed in 1954, the manuscript was rejected as pornographic by at least four New York publishers. Nabokov...

Jun 12, 1991 I didn’t get very far with my first script collaborator, Kuba Goldberg. Then Jerzy Skolimowski appeared on the scene.

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