The Criterion Collection
The Daily
Jan 20, 2021 — Knausgaard on Bergman and Adam Nayman on Armond White on Steven Spielberg are among this month’s highlights.
Jan 14, 2021 — Herman Mankiewicz—a washed-up Hollywood screenwriter writing the first draft of Orson Welles’s 1941 biopic about William Randolph Hearst—may seem an unlikely hero for a 2020 biopic. He is rarely remembered today outside of cinephile circles, but in telling his story,...
Jan 12, 2021 — In the course of selling or promoting a film, a director will invariably be asked, “What’s this movie really about?” The desired answer is usually predetermined—marketers want a concise, two-sentence hook; reporters want a sound bite; critics want a thesis...
Jan 7, 2021 — That Obscure Object of Desire (1977) is often referred to as Luis Buñuel’s “testament” work, the apotheosis of his remarkable career as a filmmaker. It perfectly blends the type of outrageous surrealism he pioneered in the late twenties and early...
Dec 15, 2020 — One day in the late 1990s, when I was a young staff member at an art and media magazine, my boss asked me to interview an esteemed creative director of an ad agency. A few months earlier, that same magazine...
Features
Dec 3, 2020 — First Person A dedicated movie buff from my teenage years onward, and an assiduous if not pedantic completist forever seeking out obscure backlist items by favorite auteurs, such as that rare screening of George Cukor’s The Model and the Marriage...
Nov 25, 2020 — A camera dollies down a hallway into the interior of a nursing home: the opening of Martin Scorsese’s The Irishman (2019) prompts a foreboding that seeps into all that follows. The Five Satins’ 1956 doo-wop classic “In the Still of...
Nov 18, 2020 — In Chris Marker’s Sans Soleil (1983), often considered the essay film, we meet the wildcat video game designer Hayao Yamaneko, who imports scenes from his life into his memory machine. The machine is shown only in parts: a slider being...
On the Channel
Oct 30, 2020 — Channel Calendars With Thanksgiving around the corner, we’re grateful to the tireless preservationists who keep film history alive. Founded by Martin Scorsese in 1990, The Film Foundation has been an indispensable pillar of moving-image culture for the past three decades,...
Oct 20, 2020 — Despite the preponderance of tales of coming of age and sexual awakening in American independent cinema, it’s still rare to encounter a movie that deals with experiences of intimacy between young LGBT characters in a way that feels honest, candid,...