The Criterion Collection
Features
Oct 4, 2023 — Night has fallen in London, but the streets still teem with people. Through a second-story window, we watch as an elderly Jewish man who lives over a shop is stabbed to death and his rooms are set on fire. We...
The Daily
Sep 20, 2023 — Few of Wang’s films contrast as starkly as Youth (Spring) and Man in Black, and both are set to screen in New York.
The Daily
Sep 15, 2023 — This week features interviews with Martin Scorsese and Arturo Ripstein and appreciations of Tout va bien and Boris Karloff.
The Daily
Aug 31, 2023 — With the WGA and SAG-AFTRA strikes on, the spotlight this fall will be on the directors.
Aug 28, 2023 — Throughout her four-decade career as a writer and director, Susan Seidelman has told complex stories about unconventional women striving to express themselves and maintain their autonomy. Her genre-melding films fuse a passion for the pleasures of Hollywood spectacle with a...
The Daily
Aug 11, 2023 — Great as they are, there was a lot more to Hurricane Billy than The French Connection and The Exorcist.
Features
Aug 1, 2023 — “Do you want me to turn them loose?” This is what cowboy Perce asks a sad-eyed Roslyn in John Huston’s elegiac The Misfits (1961), and that one question about untying the mustangs he and fellow wranglers Gay (Clark Gable) and...
Essays
Jul 11, 2023 — Martin Scorsese drew on the influence of Hitchcock and Kafka for this anxiety-ridden tale of one bizarre night in New York City—a movie that energized him during a tumultuous period in his career.
The Daily
Jul 10, 2023 — Bulgarian director Stephan Komandarev took the top prize, while the Yasuzo Masumura retrospective thrilled attendees.
Jun 20, 2023 — Two young San Francisco residents navigate the potential for romance and their opposing views on race in Barry Jenkins’s moving debut feature.