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North Face

Dec 12, 2023 In the history of cinema, French director Albert Lamorisse is a unique figure. His intense focus on three subjects—children, animals, and flight—is distinctive, and the fact that all of his works clock in under ninety minutes (and most under an...

Oct 30, 2023 At a crucial point in the gleefully unhinged and unapologetically nihilistic teen horror movie Ginger Snaps (2000), two death-obsessed teen sisters wasting away in suburban Canada, Brigitte and Ginger, find themselves at their school nurse’s office, in a desperate final...

Oct 26, 2023 Ever since he began working with the Miami-based film festival and collective Third Horizon in 2016, Jonathan Ali has been finding ways of celebrating Caribbean cinema and how it captures the irreducible complexity of the region and its diaspora. He...

Jun 2, 2023 This week we’re spotlighting Ken Jacobs, queer cinema in the 1990s, and the return of the afro-horn.

May 31, 2023 It’s not every year that so many critics are pleased with the juries’ choices.

Feb 27, 2023 Among the highlights this month is a series celebrating Oscar nominee Michelle Yeoh, an international star who began her career as one of Hong Kong cinema’s fiercest action heroes.

Dec 28, 2022 We’re getting real in January with a spotlight on cinema verité, a movement that revolutionized documentary filmmaking.

Worlds Away

Features

Apr 21, 2021 First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...

Feb 4, 2021 Here’s an overview of what critics have been saying about this year’s winners.

Oct 13, 2020 I know I need somethingOr someone. From “Cotton Candy on a Rainy Day” (1978), by Nikki Giovanni While the screen is still dark, Gladys Knight’s voice drifts in, in a strong, sincere belt: “How can I / Work out this...

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