The Criterion Collection
Feb 9, 2009 — Luis Buñuel’s ferociously brilliant The Exterminating Angel (1962) is one of his most provocative and unforgettable works. In it, we watch a trivial breach of etiquette transform into the destruction of civilization. Not only does this story undermine our confidence...
Mar 14, 2005 — The first time I put an eye behind a camera (a 16mm Bell & Howell), it was in a lunatic asylum. The head of the institution was a great big hulk of a man with a face so ravaged by...
Sep 17, 2007 — I set out on my first trip to the Toronto Film Festival ready to feast on films and spend relaxed, indulgent, quality time with writers I work with, or hope to work with, as the editorial director here at Criterion....
Aug 21, 2006 — A key Gen-X comedy about postgraduate angst, Noah Baumbach’s debut feature is an uproarious union of wit and trauma.
Mar 14, 2024 — A bittersweet comedy and a documentary about a Shakespeare production in a virtual world take the top prizes.
Jan 19, 2023 — The frequent collaborators talk about their close friendship, the paths that led them to each other, and the artistic values they share.
The Daily
May 12, 2021 — The actor, director, and producer known for his work with Welles, Hitchcock, Chaplin, and Renoir was 106.
The Daily
Feb 26, 2021 — Besides Abbas Kiarostami, Rebecca Hall, and Djibril Diop Mambéty, we’re also reading about TikTok and the greatest movie endings ever.
Jun 30, 2020 — Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...
Apr 28, 2020 — I first fell in love with Miranda July’s work with her strange, wild, poignant short stories; her stories led me to her novel and first two feature films, which I watch so often that they have over time become spiritual...