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Just My Luck

Sep 1, 2021 New films by Pedro Almodóvar, Jane Campion, Maggie Gyllenhaal, Paul Schrader, and Paolo Sorrentino are set to premiere in competition.

Jun 9, 2021 As part of Criterion’s team of digital-restoration artists, it’s my job to make dusty old films look polished and new again, like the first time they were ever screened for the public. This process is akin to photo retouching, but...

May 19, 2021 The actor, writer, and talk show regular will be remembered as an “uncommonly intense and all-around uncommon performer.”

May 19, 2021 For the last twenty years—until the pandemic broke my streak—I drove each fall to spend a week at the Toronto International Film Festival (TIFF). Before making the trip, I took care to avoid reading anything about the subjects, characters, or...

May 6, 2021 Fame, as the Chilean writer Roberto Bolaño once observed, is reductive. “Everything that ended in fame and everything that issued from fame was inevitably diminished,” he wrote in 2666, an epic novel published after his death.What Bolaño identified as the...

Mar 9, 2021 “Oral tradition is a tradition of images. What is said is stronger than what is written; the word addresses itself to the imagination, not the ear. Imagination creates the image and the image creates cinema, so we are in direct...

Mar 5, 2021 When the photographer Mary Ellen Mark died in 2015 at age seventy-five from myelodysplastic syndrome, she left behind a vast and varied five-decade trail of portraits and documentary pictures, collected in twenty books and dozens of exhibitions, radical in their...

Dec 31, 2020 One of our editors made this as a gift for the Criterion community. We hope you enjoy it!

Dec 8, 2020 Swiss-Moroccan filmmaker Halima Ouardiri’s short documentary Mutts is a captivating portrait of a shelter for stray dogs in Morocco, elegantly shot in a sunbaked color palette of rich golds and browns. The film, which makes its premiere on the Criterion Channel this week in...

Oct 20, 2020 Despite the preponderance of tales of coming of age and sexual awakening in American independent cinema, it’s still rare to encounter a movie that deals with experiences of intimacy between young LGBT characters in a way that feels honest, candid,...

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