It Ends

Nov 12, 2025 — He anchored some of the best films by Kurosawa, Kobayashi, Okamoto, Naruse, and Teshigahara.

Nov 6, 2025 — In the run-up to the release of Jay Kelly, the American Cinematheque presents a five-film series.

Oct 30, 2025 — Classics of the genre—including Andrzej Żuławski’s Possession and David Cronenberg’s The Fly—explore the gory extremes of corporeal experience.

Oct 28, 2025 — The first of Arturo Ripstein’s films to receive wider international acclaim, this blood-soaked, surrealist vision of amour fou harks back to the director’s roots as an admirer and protégé of Luis Buñuel.

Oct 27, 2025 — The self-trained filmmaker examined postindependence Nigerien society in morality tales that showcased his visual ingenuity and sly sense of humor.

Oct 16, 2025 — This month, join us for a Thanksgiving feast of some of the movies’ most memorable family reunions, or delve into the dark alleyways of noir mysteries built around protagonists tormented by amnesia, memory holes, and drunken blackouts.

Sep 24, 2025 — Jacques Audiard’s Paris-set drama about small-time hoodlum with musical ambitions crystallized his identity as an artist with a high degree of confidence and control.

Sep 12, 2025 — Pasolini, Kurosawa, and a week so busy we need to wrap with a lightning round.

Aug 28, 2025 — Made for public television, this moving vérité documentary about three terminally ill cancer patients is one of the purest expressions of the director’s career-long preoccupation with human fragility.

Aug 19, 2025 — In his fifth and sixth feature films, Edward Yang sought to uncover what was hidden in Taipei society, often in plain sight, looking past the city’s shiny skyline to the fault lines beneath the surface.