The Criterion Collection
The writer, director, actor, and producer shares what Marlon Riggs’s work means to her as a Black queer filmmaker, praises Rainer Werner Fassbinder’s radical approach to melodrama, and spotlights Chantal Akerman, Agnès Varda, and other directors whose work she can’t...
The singer-songwriter of Death Cab for Cutie and the Postal Service shares his love of the surreal worlds of Luis Buñuel; praises his favorite filmmaker, Kelly Reichardt; and talks about the emotional impact and importance of Streetwise.
The visionary filmmaker bags favorite movies by Michelangelo Antonioni, Robert Bresson, Byron Haskin, and Terrence Malick.
The legendary filmmaker talks about the brilliance of Targets, his memories of collaborating with a young Martin Scorsese, and his experiences as a story analyst at Twentieth Century-Fox and as a distributor of art-house classics like Amarcord.
The celebrated filmmaker talks about Nastassja Kinski’s Korean fanbase, his favorite of Akira Kurosawa’s Shakespeare adaptations, and the DVD that Park Chan-wook swiped from him.
In town for the New York premiere of his documentary Is That Black Enough For You?!?, the critic and filmmaker selects some of his favorite movies, including a few that opened up new possibilities in Black cinema.
The great documentary filmmaker chooses a group of films that embody some of the qualities he tries to bring to his own work, including straight-faced comedy and the mixture of literal and abstract elements.
While in New York City for a theatrical run of his 1984 film The Runner, the Iranian filmmaker took a trip into our closet, where he gravitated to ambitious, sprawling works like A Brighter Summer Day and Dekalog.
The director of Orlando highlights movies that made her realize there’s nothing better to be than a filmmaker.
The beloved Hong Kong filmmaker has influenced a generation of cinematic sensualists with his wistfully romantic dramas and lush, nostalgia-soaked aesthetics.